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Mar 01, 2016 Icy Wyte's Music Spot: The D.O.C. No One Can Do It Better iTunes Icy Wyte's Music Spot R&B and hip hop is the focus! Dre in the late ‘80s, he released his boldly titled debut album in 1989. Produced entirely by Dre, and recorded around the same time as Straight Outta Compton, No One Can Do It Better was an instant classic, absolutely loaded with dizzyingly intricate (but decidedly un-gangsta) lyricism and furiously rugged beat work.

No One Can Do It Better is the debut studio album by The D.O.C., released on August 1, 1989 by Ruthless Records and Atlantic Records. It reached number-one on the US Top R&B/Hip-Hop Albums chart for two weeks, while peaking in the Top 20 on the Billboard 200 chart. The album was certified Gold by the RIAA three months after it was released, and Platinum on April 21, 1994.^[4] This was the only solo album The D.O.C. was able to record before a car accident resulted in crushing his larynx; in recent years, however, he has been undergoing vocal surgery. He would not release another album until 7 years later, with Helter Skelter (1996), also released by Warner Music Group, but on Giant label rather than Atlantic.

Also try: the d o c no one can do it better, no one can do it better rar, doc no one can do better, swedes do it better, com s italians do it better presents after dark, -1- LAST 10 RAPIDSHARE SEARCHES: d o c no one can do it better, virtual sex with jenna, google sketchup, stepahead anfx, football, sumi, kelly preston, sivaji the boss. An early landmark of West Coast rap, the D.O.C. 's debut album, No One Can Do It Better, remains sorely underheard today, largely because the car crash that destroyed the rapper's voice also cut short his time in the spotlight before he'd had a chance to really cement his reputation among the general public. No One Can Do It Better by The D.O.C. (CD, Jul-1989, Ruthless Records). Condition is 'Very Good'. Shipped with USPS Media Mail. Old School West Coast Rap.

Album information[edit]

Idolizing East Coast acts such as Run-D.M.C. and Public Enemy, The D.O.C. always showed more of a lyrical style, not talking about guns, drugs and violence. The album received a Parental Advisory sticker because of the final track on the album ('The Grand Finalé'). Most of the songs were influenced and sampled from funk artists such as Marvin Gaye, Parliament, and Funkadelic, but one track in particular was influenced by other genres, 'Beautiful But Deadly', a rock-hip hop track, influenced by Run-D.M.C. with a heavy guitar riff throughout the song (it borrows from Funkadelic's Cosmic Slop).

All five then-current members of N.W.A contributed to this album. Beats were produced by Dr. Dre, with Eazy-E being the executive producer. Dre, Ice Cube, MC Ren and Eazy all provide vocals for 'The Grand Finalé', while Ren also provides vocals for 'Comm. 2'. DJ Yella performs on 'Comm. Blues', 'Comm. 2' and 'The Grand Finalé' as a drummer.

No One Can Do It Better also features additional vocals by Krazy Dee (who also co-wrote the N.W.A song 'Panic Zone' from N.W.A. and the Posse), J. J. Fad, Yomo & Maulkie and Michel'le, who were all part of Ruthless as well. Andre 'L.A. Dre' Bolton and Stan 'The Guitar Man' Jones, who play keyboards and guitar on some of the tracks respectively, also worked for the label.

Critical reception[edit]

From contemporary reviews, music critic Robert Christgau of The Village Voice said that the first three songs have music that is funky, multi-dimensional, and engaging, but the rest of the album's funk diminishes and leaves listeners having to focus on D.O.C.'s inferior lyrics.^[5] Daniel Weizmann of LA Weekly stating that The D.O.C. noting him a good rapper whose rhymes 'spring out like meancing jacks in the box just when you think he's about tread over the same old rap cliches.' noting that it has 'bravado and loathing and deep sexual phobias (like almost all other rap records today)' while it still had 'grace and elocution and literary richness.'^[9] Weizmann also praised Dr.Dre, declaring him 'a sound-collage artist to a degree no other producer in rap even touches' and that 'If the rappers in front of Dre weren't so often obscene, and if the act of sampling and mixing were taken with the slightest bit of seriousness as an art, I'm positive Dre would be considered the Phil Spector of his generation.'^[9]J.D. Considine wrote in The Baltimore Sun prasied the album, stating that 'what really gives this album an edge is the fact that he never pulls his punches, infusing each track with an impressive ferocity'.^[10]

In a retrospective review, Allmusic stated, 'It's a shame that the D.O.C. never got the chance for a proper follow-up, but in No One Can Do It Better, he at least has one undeniable masterpiece.'^[3]

Track listing[edit]

All tracks are written by The D.O.C. and were produced by Dr. Dre.

The 'Real Gone' edition is basically the same master, with the bass amped , and treble lowered. Also, for unknown reasons, 'Comm. Blues' is edited at the intro ('8 ball piss').

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Cut tracks[edit]

• 'Bridgette' – cut from the album because of sexual content,^[11] released in 1996 as part of the Dr. Dre compilation First Round Knock Out

Singles[edit]

Charts[edit]

Year-end charts[edit]

Certifications[edit]

See also[edit]

References[edit]

1. ^'Gold & Platinum'. RIAA.
2. ^ ^ab'DOC – No One Can Do It Better CD Album'. CD Universe. Retrieved July 23, 2013.
3. ^ ^abcAllmusic review
4. ^'Gold & Platinum Search Results: No One Can Do It Better'. Recording Industry Association of America. Archived from the original on September 24, 2015. Retrieved April 19, 2010.
5. ^ ^abChristgau, Robert (July 3, 1990). 'Consumer Guide'. The Village Voice. New York. Retrieved July 23, 2013.
6. ^Brackett, Nathan; Hoard, Christian David (2004). The New Rolling Stone Album Guide. google.com. ISBN9780743201698.
7. ^Kazeem (August 4, 2010). The Complete List Of 5 Mic Hip-Hop Classics. The Source. Retrieved on 2010-12-23.
8. ^Robertson, Alex (March 11, 2013). 'Album Review – The D.O.C.: No One Can Do It Better'. Sputnikmusic. Retrieved 14 March 2013.
9. ^ ^abWeizmann, Daniel (September 1, 1989). 'Albums'. LA Weekly. p. 89. Retrieved May 26, 2020.
10. ^Considine, [J.D. (September 29, 1989). 'Records'. The Baltimore Sun. p. 89. Retrieved May 26, 2020.
11. ^https://www.allmusic.com/album/r234875
12. ^'Billboard Top R&B/Hip Hop Albums year end 1989'. Billboard. Archived from the original on 2007-12-11. Retrieved 2009-09-08.
13. ^'American album certifications – The D.O.C. – No One Can Do It Better'. Recording Industry Association of America.If necessary, click Advanced, then click Format, then select Album, then click SEARCH.

The D.o.c. No One Can Do It Better Rar Torrent

It’s become one of those albums that “real heads” use to test your knowledge, the kind of classic release that garners almost universal acclaim that’s only amplified by the fact that so many still sleep on its greatness.

No One Can Do It Better, the West Coast landmark that cemented Ruthless Records as hip-hop’s first West Coast powerhouse label, was released in the summer of 1989. “Boyz n the Hood” was the spark, N.W.A’s Straight Outta Comptonannounced Ruthless to the mainstream and Eazy Duz Itproved it was no fluke. But No One Can Do It Better showed that the machine was truly rolling, a hit album from the label’s secret weapon — a young rhymer out of Texas who had little in common with the Comptonites he’d found himself writing for.

Tracy Curry becomes The D.O.C.

Tracy Curry was born in Houston, but after moving to Dallas, a teenage Curry joined the Fila Fresh Crew in 1986 with Fresh K and Dr. Rock. The group made the jump to Compton, California, a year later, where an affiliation with the World Class Wreckin’ Cru connected them to fledgling producer Dr. Dre. He was on the cusp of forming a group with local hustler Eazy-E and a creative collective that included young rhymers Ice Cube and MC Ren, along with Dr. Dre’s friends DJ Yella and Arabian Prince. After 1987’s indie compilation N.W.A. and The Posse launched the group and Ruthless Records signed a distribution deal with Priority Records, Dr. Dre, Eazy-E & Co. set to work on N.W.A’s proper debut album. Young Tray Curry, aka The D.O.C. (a nod to N.W.A’s acronym-themed moniker), rose to the fore as a writer for the creative core of Ruthless Records, penning rhymes for the project and Eazy-E’s debut solo album, Eazy Duz It.

Dr. Dre’s eye for talent would lead to superstardom for Ice Cube, Snoop Dogg and Eminem, and The D.O.C. is a major part of that lineage. He was the 18-year-old phenom penning Dr. Dre’s verses and providing N.W.A with much of its voice. He was largely Ice Cube’s verbal foil, as the two writers gave Dr. Dre and Eazy-E much of their musical personas.

But in the summer of 1989, The D.O.C. finally got the spotlight, and he was more than ready. “It’s Funky Enough,” … Better’s most indelible single, announced Curry as the next big thing from Ruthless. Over a sample of Foster Sylvers’ “Misdemeanor,” The D.O.C. kicks a fierce patois-inspired performance, the kind of instant classic single that makes a career. He showcased his lyricism on standout “The D.O.C. and The Doctor,” and Marvin Gaye-sampling “The Formula” was smooth enough for radio. But “It’s Funky Enough” was the anthem.

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“They used to call me ‘One Take Willie,’ ” The D.O.C. recalled to HipHopDX in 2011. “We started that. Kurupt is the only other m—–f—- to do that. … I had begged Dre to make that beat. It took me about three f—–‘ months of begging him to make that beat before he finally made it. And those lyrics were actually meant for another song, but I didn’t have no words for that beat yet. So when I went in, I was just gonna lay something so he could finish adding the instrumental s— into the track. And when the beat came on, it just sounded Jamaican. So that’s the character that came out. And I just spit that s—.”

Now 30 years later, No One Can Do It Better sounds like the bridge between famed producer Dr. Dre’s Straight Outta Compton sound — a more groove-driven spin on Bomb Squad-ish sonic textures — and the slow-rolling G-Funk he would make famous in the early 1990s. As such, it remains one of the more important releases in Dr. Dre’s history, in West Coast music and in hip-hop overall. The D.O.C. had strong East Coast influences, from Rakim to The Fresh Prince, and his emphasis on skill made him arguably Ruthless’ most accomplished rhymer — even more so than early Ice Cube.

A life-changing auto accident

But fans know what happened next: After leaving a party in November 1989, an inebriated D.O.C. veered off Ventura Highway and crashed into a divider. His body was flung from the vehicle and into a tree. He suffered severe facial lacerations and throat damage that cost him his vocal cords. The rapper would survive, but nothing was the same after his throat surgery — his famous voice was gone. At 21, one of the hottest rappers in the game had to face the prospect that his career was over. And his friend Dr. Dre told him to let it go.

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“He said, ‘They think you’re the king right now. You should go out like that,’ ” The D.O.C. told Sway In The Morning in 2017. “I just couldn’t accept that, you know? It just wasn’t in my DNA. I couldn’t do it.”

After the accident, The D.O.C. would remain a fixture in Dr. Dre’s orbit and seminal in the shaping of ’90s hip-hop. His ghostwriting would feature prominently on N.W.A’s controversial N—-z4Lifein 1991, and The D.O.C. wrote Dr. Dre’s first solo single, the soundtrack single “Deep Cover,” which introduced the world to a 19-year-old kid from Long Beach, California, named Snoop Doggy Dogg.

Along with the new star, The D.O.C. co-wrote the classic “Nuthin’ But A G Thang,” released in fall 1992 as the monster first single from Dr. Dre’s highly anticipated solo debut. It was The D.O.C. who encouraged Dr. Dre to break away from Eazy-E and Ruthless Records, and it was The D.O.C. who introduced Dr. Dre and Suge Knight, who would launch the infamous Death Row Records in 1992.

The D.O.C.’s career would founder — 1996’s Helter Skelter and 2003’s Deucewent largely unnoticed — but his legacy as a ghostwriter put him at the heart of West Coast hip-hop’s most classic period. He would work with Dr. Dre again on his comeback hit 2001 in 1999, which means The D.O.C. was in the booth for virtually every classic Dr. Dre recorded for the better part of 13 years. He is inextricable from Dr. Dre’s legacy. But everything that he lost, an acrimonious split from Death Row and his admittedly complicated relationship with Dr. Dre has made for dark moments.

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“It’s been a real struggle,” he told Kyle Kramer in a 2015 VICE interview. “And I’m sure that I tried to commit suicide a whole bunch of times. Lots of drugs and alcohol, and not being able to do the one thing that you really love doing. It was a real struggle. But through all of it, I never turned my back on anybody. I never said anything ill of anybody. I love and have respect and admiration for everybody in my past.”

The linchpins of West Coast hip-hop are well-documented. Dr. Dre is the master producer. Ice Cube is the angry superstar. 2Pac is the mythologized martyr. And Snoop is the icon. But we should always remember the glue for so many legacies was a guy who came from Texas. A guy who in the summer of 1989 seemed like he was going to rule the world. He dared to name his debut No One Can Do It Better, and for a few months, he was absolutely right.